217. Gift Sketchbook and WIP Pics - LR

Hardbound Sketchbook Gift, 5.5" x 5.5"

(more photos of the finished result are at the bottom of this post)

(There is only one rule in bookbinding:

The grain in the paper, cloth and board must run from head to tail.

City & Guilds)

I'm actually working on five books at the same time and might do a sixth. This is a birthday present and I spent a lot of time wondering what colour to use for the ribbon tie, bookmark and endpapers as there are a few colours in the design that would do. I'm really happy with this green. Below, as usual, are work-in-progress images; to see some other books that I've made, click the 'bookbinding' label to the right.

What's going on here? Making templates for the stitching

One book must suffer so others might live!

The poor Yellow Pages has at least one use in our house -

it saves the furniture (and me) from being stabbed by the awl.

Three of the five text blocks, ready for the stitch holes to be punched.

My handmade Fabriano sketchbook in the background. I'm keeping that one.

Do you recognise the fabric?

You can see the templates for the 'square' and the A5 text blocks.

All the signatures in the text blocks have now been stabbed.

Stitching can commence. (I use waxed thread for added strength.)

Signatures stitched around two pieces of sewing tape and green endpapers added.

Spine glued with archival EVA and bulldogs hold it together for now.

(To see my stitching, see some of the other 'bookbinding' posts.)

When the glue is almost dry, the bookmark is added.

Headbanding added; I may sew my own one of these days!

Mull added for further reinforcement then a green lining strip added on top.

Making the 'case'. Greyboard for the front, back and spine is

measured out then adhered to the book covering with EVA.

Corners trimmed so they fold and tuck in neatly.

Folding before pasting.

Case made and spine creases added for a nice shape.

Slits made in the case, ribbon ties fed through then

the slits hammered closed to lock in the ties.

Archival glue added to ensure the ribbons cannot break free over time.

Magazine paper is as good as glassine paper to ensure 

the endpapers don't stick together in the pressing process.

Boards added on top to protect the book covering and

to keep it all flat during the 12-hour press.

My usual 'stamp' hand-drawn/written.

Close up.

All done - top view.

Finito! Off to bed!

216. Pizza and Paint at LCF

Pilot C4 G-Tec pen and Winsor & Newton watercolours in

Stillman & Birn Alpha sketchbook, 8.5" x 5.5" (x2)

Happy February everyone.

215. At Suzie's

Pilot C4 G-Tec pen and Winsor & Newton watercolours in

Stillman & Birn Alpha sketchbook, 8.5" x 5.5" (x2)

Every so often, our friend Suzie invites some of her painting and musical friends over for an 'art and music' day. She has a collection of red and white crockery and utensils and we cheekily raided her cupboards and laid them out and painted them. I left out a few of the items as I liked this setup.

214. And Then There Were Five

Derwent Charcoal and Schmincke soft pastels on

Clairefontaine Pastelmat, 9.5" x 12"

There were six pears but I ate one! Thank you, Rach!  Don't you love it when you meet with a friend and you end up doing some art together? Have a great weekend, everyone!

(This was my surface today.)

213. Pooh Mugs - WIP Pics

Derwent Charcoal and Schminke Pastels on

Daler Rowney Murano paper, 12" x 9.5"

This is all I have time for at the moment. (Charcoals cleaned in the top image; LOL!) More later. Have a good day folks!

212. Sketchcrawl 23.01.2016

Pilot C4 G-Tec pen and Winsor & Newton Watercolours 
in Stillman and Birn Alpha sketchbook, 8.5" x 5.5" (x2)

Up four flights of stairs(!) and I arrived in the rafters in 'Project Space' (in an art gallery) this afternoon and this is what we did. A complex scene and I made a ton load of errors; nevertheless, I thoroughly enjoyed the afternoon thanks to the Urban Sketchers group in Northampton.

211. Rachel's Mug

Schmincke soft pastels on Clairefontaine Pastelmat, 12" x 9.5"

Who knew that when I logged out of here on Christmas Day that I wouldn't be back for a month?! So, for the first time in years, I've reached Week 4 and not yet posted in Leslie Saeta's '30 in 30' - gasp!

I hope to be back to frequent posting now and I'm looking forward to being able to revisit and comment on the blogs of those of you who have them.

This morning I was with my friend Rachel who has the loveliest mugs - this one a Cath Kidston. I took my pastels with me and she brought hers down so we had great fun painting them!

I love the vibrancy and immediacy of pastels and the way you can get your hands right in there but I also love oils, acrylics, watercolours, pen and ink, graphite, etc. I love them all for different reasons. Do you have a favourite?

210. Another Gift Sketchbook and WIP Pics

Hardbound Sketchbook Gift, 5.5" x 5.5"

(more photos of the finished result are at the bottom of this post)

(There is only one rule in bookbinding:

The grain in the paper, cloth and board must run from head to tail.

City & Guilds)

I have two friends who are 'two peas in a pod'. They call themselves 'Batman' and 'Robin'. Robin has in the last five months discovered she has a previously unrealised gift for art - it's been quite a revelation to us all - her included! Batman thus asked me to make Robin a sketchbook for Christmas that would be small enough for her handbag and also fairly lightweight.

Robin is a wildlife lover and avid photographer and, while we were deciding on the right cover, we came up with the idea of a 'robin' theme. Ordinary paper is not brilliant for book covering; you really need something stronger and flexible enough to fold around board, which is the idea of bookcloth. I found this gorgeous print in a fabric shop in St Albans - the owner has been there for 40 years and I always find what I'm looking for there. I used tissue paper and Bondaweb to turn it into bookcloth (that's bookcloth is made) and the rest is history! 

If you're interested, there are work-in-progress images below. Happy creating everyone!

 After folding and arranging the signatures, I guillotined them into a square format
then stitched them with waxed thread 
using three pieces of  sewing tape for spine strength

 Only six signatures this time (it needs to be lightweight)

Glued between boards then a ribbon bookmark added a bit later

Headbanding added and everything held in place with 

again with rough boards and bulldog clips

A better view of the headbanding (red and green tips)

… snap happy!

After this, I added mull around the spine for strength and also a heavyweight paper spine.

(I omitted to photograph them but you can see mull and a spine in my November post - or click "Bookbinding" in the 'Labels' list on the right and it'll take you there.)

Homemade bookcloth with boards and spine measurements marked on the reverse.

Aligning the grain in each case, I made the bookcloth using a layer each of the strong

cotton fabric, Bondaweb and white tissue paper (ironed as per the instructions).

This ensures no glue seeps through onto the fabric part of the bookcloth.

The right side of the bookcloth.

(Grain direction marked with arrows on the boards.)

I made the 'case' and scored the two spine seams with a bone folder.

Then, with a knife, I cut two slits an inch from the edges and eased the ribbon through. I hammered the slits back into place so the ribbon was taut and the boards flat again. Finally, I glued the entire length of each ribbon onto its corresponding board to ensure it will not break free over time. 

At this point, I attached the red endpapers to the text block then visited my lovely printer who chopped the edges of the text block for me. Not only does it make it look neat

but it is easier to flick through the pages if the sheets are aligned.

I then attached the endpapers to the case.

(This is the back one - the text says "Stitched and bound by Sharon Veares")

A few pics before it's given a 12-hour press

… it's just showing off now...

 It's tired now - all that modelling!

I untied the bow and moved the ribbons and the bookmark out of the way of any glued parts before placing boards on top and underneath for pressing.

Glassine paper (or the like) between the endpapers ensures that any 

undetected glue spots won't stick them together in the pressing process.

It's finished!

The top

The top (again)

The bottom

The back cover

The front cover.

The size had to be specific so I am really, really pleased that the pattern ended up just as she wanted it - on both the covers - quite frankly, as this time the cover is one continuous piece, it's a miracle!

(I can't risk posting this until Christmas Day, just in case…..)

209. Happy Christmas

Faber Castell Brushpens plus pen and ink on paper, 4.5" x 4.5"

Happy Christmas one and all. xxx

208. Losing the Plot...

W&N Watercolour and Pilot G-Tec C4 pen in

Stillman & Birn Alpha 5.5" x 8.5" (image: 6" x 8.25")

With Christmas approaching, I've done a ton of art leading up to it but none simply for the sake of it. I was starting to lose the plot so dug out a photo I stopped to take on leaving Luton Hoo a month or so ago and painted it. I feel better now…!

After Christmas Day, I'll post one of the projects I finished last week which someone asked me to do for their friend.

I'm sorry I haven't visited any of your blogs and sites recently; I'll catch up with you all as soon as I can.

Happy Christmas; happy holidays and happy painting to you all. xxx

Before cropping the photo.