Saturday, 10 December 2016

Ambleside in Pastel - Commission

Schmincke and Unison soft pastels on 
Clairefontaine Pastelmat, 12" x 12"

Here is a painting I handed over a week ago. I was happy enough when I was asked to do a landscape but absolutely thrilled when I learned it was to be a place that we know and love - Ambleside, Cumbria. I was asked to do an image of a place where this couple stay each year.  Thank you people, I really enjoyed doing it!

Saturday, 1 October 2016

278. Collage for '30 in 30' Challenge - September 2016

Collage for '30 in 30' Challenge,
September 2016

Well done everyone who took part! Some managed to do 30 paintings; some of us only did a few - I managed 17 but well done one and all as it may be 17 pieces of artwork that may not have happened otherwise. My thanks to everyone who has supported me along the way and, ultimately, huge thanks to Leslie Saeta for putting on another great challenge - thank you!!!

(End of Leslie Saeta's '30 in 30' September 2016 Challenge.)

Friday, 30 September 2016

277. Drive to the LHS

Pilot G-Tec and C4 pen in
re-cased Seawhite sketchbook, 7.5" x 7.5" (x2)

This scene has to be seen to be appreciated - I can't do it justice! This is part of left hand side of the gorgeous view that meets anyone driving up to my cousin's home.  Actually, the plants at the base of the tree trunk should be larger as they grow around the tree, surrounded by the rocks. (I did this in one 'sitting' during the night as I couldn't sleep.)

That's it folks! Challenge over! Thank you everyone for your support, encouragement and friendliness. Now for Inktober!

(Day 30 of Leslie Saeta's '30 in 30'.)

Thursday, 29 September 2016

276. And Finally...

Pilot G-Tec and C4 pen and white Derwent Coloursoft pencil in
re-cased Seawhite sketchbook, 7.5" x 7.5" (x2)

The lower half (foreground) of the picture has now been finished and I've decided to leave it as it is and not add any colour but who knows...

(Day 29 of Leslie Saeta's '30 in 30'.)

275. Tone Added At the Side of the House

Pilot G-Tec and C4 pen and white Derwent Coloursoft pencil in
re-cased Seawhite sketchbook, 7.5" x 7.5" (x2)

Gosh! Look at the difference the addition of tonal values makes to the entire image and I haven't even finished the lower half! I always advocate the use of tone yet am still pleasantly surprised every time I compare the before and after images.
(Day 26 image)

My cousin (who owns this house and land) has told me to add colour but we've had a very busy couple of days so the challenge had to take a temporary back seat.

Thank you Leslie Saeta; I'm far from 30 pieces but I've done many more than I would have made time for had there not been a challenge this month! Added to that, and no less importantly, the encouragement from my fellow '30 in 30' artists has been wonderful. Thank you very much everyone!

(Day 29 of Leslie Saeta's '30 in 30'.)

Monday, 26 September 2016

274. At the Side of the House

Pilot G-Tec and C4 pen and white Derwent Coloursoft pencil in
re-cased Seawhite sketchbook, 7.5" x 7.5" (x2)

I thought I'd just knock out a very quick sketch while my husband was out at band practice. Three hours later…..

(Day 26 of Leslie Saeta's '30 in 30'.)

Saturday, 24 September 2016

273. Road Back from the Supermarket

Pilot G-Tec and C4 pen,  Hybrid Gel Grip pen and Winsor & Newton
watercolours in re-cased Seawhite sketchbook, 7.5" x 7.5" (x2)

Can't get enough of this super view. My cousin's house is only one minute on from that bend on the horizon and my late parents' house is a further two minutes. Bliss!

I get my new glasses today - yippee!!

(Day 24 of Leslie Saeta's '30 in 30'.)

Friday, 23 September 2016

272. Dotty and Scratchy

Pilot G-Tec and C4 pen in re-cased Seawhite sketchbook, 7.5" x 7.5" (x2)

I thought you might like to see my first marks on the page when I'm sketching. I learned many years from a video by Charles Reid to put little dots on the page in order to  map out the image and recently heard Marc Taro Holmes (Urban Sketchers) say exactly the same thing. If you look closely, you'll be able to see where I changed my mind a few times about the placement of the sea edge, wall, etc, before actually settling on the final shape of it. To dot out a straightish line for the horizon, I anchor my little finger under the sketchbook and run the pen from left to right. (I do the same up and down for my street poles - see post 273.)

It's helpful that the pen is water-soluble so a little of it dissolves into the paint. If it starts to look muddy, I just lift it out with kitchen towel but most times I actually like to see those marks on the page, as in the clouds.

(Day 23 of Leslie Saeta's '30 in 30'.)

Thursday, 22 September 2016

271. Smashing!

Pilot G-Tec C4 pen, Derwent Coloursoft pencils and
Tombow Brushpen in re-cased Seawhite sketchbook, 7.5" x 7.5"

We had a garage sale at my late parents' house when I was in Jamaica and this set was part of it. Unfortunately, someone dropped and smashed the gravy boat which was sad because we'd had it in our family since I was little. Losing it drove home the fact that, at the end of the day, these are just things; nothing could take away the love of my parents and all our lovely memories.

For a change, I tried to start out with a pencil but very soon realised that nowadays I just prefer to go straight in with pen and ink.

Again, thank you for your lovely comments - today I'll be replying and catching up with your blogposts too. Happy art-making everyone!

(Day 22 of Leslie Saeta's '30 in 30'.)

Wednesday, 21 September 2016

270. Test Colour Sketch

Derwent Coloursoft Pencils, Faber Castell brushpen and
Pentel Hybrid Gel Grip on photocopy of sketchbook drawing

Thinking about this before actually committing to my sketchbook. I think the foreground green is a little intense but, apart from that, I'll probably go for it!

(Day 21 of Leslie Saeta's '30 in 30'.)

Tuesday, 20 September 2016

269. Insomnia!

Pilot G-Tec C4 pen on re-cased Seawhite sketchbook, 7.5" x 7.5"

That seat is made of concrete but looks like faded wood. This was the view from my bedroom window whilst staying at my cousin's house. Bliss!

(Day 20 of Leslie Saeta's '30 in 30'.)

Monday, 19 September 2016

268. Desert Rose (Adenium)

Winsor & Newton Designers' Gouache and Pilot G-Tec C4 pen
in re-cased Seawhite sketchbook, 7.5" x7.5"

This beautiful plant (which is much lovelier than I can portray) grows outside the bedroom I stayed in. The plant is a huge, tough structure with 'gnarly'-type branches and an amazing trunk but the flowers are very delicate and come in various colours.

(Day 19 of Leslie Saeta's '30 in 30'.)

Saturday, 17 September 2016

267. Supermarket View from Upstairs

Winsor & Newton watercolours and Pilot G-Tec C4 pen and
Hybrid Gel grip pen in re-cased Seawhite sketchbook, 7.5" x7.5" (x2)

If you go upstairs at the supermarket, where there are more shops and businesses, this is the view that meets you! It really has to be seen to be appreciated; I haven't done it much justice here. Have a great weekend everyone!

I wasn't totally happy with the previous image (now below) and could not think what it was that bothered me until I had to fit it onto Leslie's '30 in 30' page then I saw it! I much prefer the cropped version above; what do you think? (NB. It's in my sketchbook so is still in one piece - smile.)

(Day 17 of Leslie Saeta's '30 in 30'.)

Friday, 16 September 2016

266. Rain on the Horizon (Road to Supermarket)

Winsor & Newton watercolours and Pilot G-Tec C4 pen
in re-cased Seawhite sketchbook, 7.5" x7.5" (x2)

The supermarket is about four minutes drive from the house and this is the view on the right hand side. The clouds are sweeping over the Blue Mountains.

(Day 16 of Leslie Saeta's '30 in 30'.)

Thursday, 15 September 2016

265. Not Boring!

Pilot G-Tec C4 pen and Derwent Coloursoft pencils in
re-cased Seawhite sketchbook, 7.5" x 7.5"

My cousins and their cook took delight in creating a series of wonderfully tasty vegetarian 'clean eating' meals for me while I was there clearing my parents' house. They and some of their friends were also an invaluable help in the process. As always, they took great care of me, again making me feel so welcome and not once made me feel a nuisance (that I probably am!). I'm so privileged and honoured to have such lovely people in my life. This particular meal proved that tofu does not have to be boring!

Made a bit of a 'Horlicks' of the glass (below) - yuk! I've now gessoed over it - the paper buckled a bit (amended version above).


Happy art-making everyone and thank you for your lovely comments that keep appearing.

(Day 15 of Leslie Saeta's '30 in 30'.)

Wednesday, 14 September 2016

264. Monster Mango and Green Tea - Coloured

Pilot G-Tec C4 pen and Derwent Coloursoft pencils in
re-cased Seawhite sketchbook, 7.5" x 7.5"

Colour added yesterday evening.

Of the many benefits in doing Leslie Saeta's '30 in 30' challenge twice a year, one is discovering new artists and catching up with other fellow artists on the challenge. I love leaving and receiving comments and seeing the encouraging comments left on other blogs.

Another benefit is that I am forced to do more art than I would otherwise have done and sometimes to work more quickly - yesterday, for example, I could only create and post a quick ten minute sketch as I had to go to a meeting. Had the challenge not been on, I would simply have gone off to my meeting, art materials enjoying a lie in! Thank you Leslie and thank you to my fellow '30 in 30' challengers.

(Day 14 of Leslie Saeta's '30 in 30'.)

Tuesday, 13 September 2016

263. Monster Mango Sketch

 
Pilot G-Tec C4 pen on re-cased Seawhite sketchbook, 7.5" x 7.5"

Only time for a ten-minute sketch; no time to add colour; will finish later. Err… it really was this big and we were all able to enjoy a yummy piece!

(Day 13 of Leslie Saeta's '30 in 30'.)

Monday, 12 September 2016

262. Coconut Vendor

Pilot G-Tec C4 pen and Derwent Coloursoft pencils
in re-cased Seawhite sketchbook, 7.5" x 7.5"

I'm not sure what you call the spiky bits but that's how the coconuts look when cut down and the vendor cuts them free and will also slice off the tip and add a straw to your coconut so you can have instant refreshment!

(Day 12 of Leslie Saeta's '30 in 30'.)

Sunday, 11 September 2016

261. Jamaican Patty

Brown Pilot G-Tec C4 pen and Derwent Coloursoft pencils
in re-cased Seawhite sketchbook, 7.5" x 7.5"

The dot on top of the patty indicates that it is vegetarian, containing either soy or vegetable. Jamaican patties are the colour of saffron. My cousins found it highly amusing that I ate mine with a knife and fork; seems as though it was similar to eating a portion of chips (fries) with a knife and fork. Hmmm, I don't eat chips but if I did…

PS. This is my entry for Day 11 of Leslie Saeta's '30 in 30' Challenge.

Saturday, 10 September 2016

260. Electrolyte Refreshment

Pilot G-Tec C4 pen and Coloursoft Pencils in
re-cased Seawhite sketchbook, 7.5" x 7.5"

On quite a few occasions, I was presented with one of these. Coconut water is low in calories and is one of the richest sources of natural electrolytes; they also contain sodium and potassium. These were perfect in the 40C heat that we were working in during the day - even the nights didn't drop below 30C!

Sip, draw, sip, draw… yum!

The pen and ink drawing before adding colour.

Friday, 9 September 2016

259. Mo' Bay Luggage

Pilot G-Tec C4 pen and Derwent Coloursoft pencils in
re-cased Seawhite Sketchbook, 7.5 "x 7.5"

Waiting for collection from Montego Bay airport (Jamaica), I had time to observe my surroundings. What struck me about this scene was not just how much luggage these two older ladies had but how similarly dressed they were. They seem to be twins: same hat, glasses, shoes hand luggage but different clothing and they sat very easily together just commenting to each other from time to time.

Saturday, 3 September 2016

258. Welcome to Jamaica!

Winsor & Newton watercolours and Lamy Safari fountain pen on
Daler Rowney Mixed Media spiral sketchpad, A3

Thank God for Leslie Saeta's '30 in 30' coming round again! (Day 3)

I've been in Jamaica clearing my parents' house and putting it on the market. Only time for one piece of art (I'll post it in a few days) while I was there as we worked almost non-stop all day. This was the lovely 747 that took me there - 'Hot Lips'! (I came home on 'English Rose'.)

Painted first then fountain pen added.

NB. My apologies for the lack of artwork since May. I have quite a few sketches to post, done during that time (including some in Manchester where the Urban Sketchers Symposium was being held). I'm slowly getting around to photographing them and will backdate them so everything is eventually in the correct order.

Happy painting everyone!

Thursday, 11 August 2016

257. Gift Sketchbook for CM

Hardbound, handmade Sketchbook, 5.5" x 5.5"

We're going to Jamaica! My niece's best friend told me that when my niece has nothing to draw on she draws on her hand. I knew then what to take for her. This one is bound with Japanese silk, Gamma purple bookcloth and Japanese 'wove' decorative paper.

The greatest thing about being able to make a gift for someone is that not only is it unique but it's also from the heart.





Sunday, 31 July 2016

256. Manchester Art and Jazz - Business Cards and an Interesting Encounter

Business Cards from three of the many interesting people we met

What's the odds of meeting someone in Manchester, from Hong Kong, currently living in Texas, and who had been taught bookbinding in London by the same teacher as me? Small world!



Didn't get around either to riding or sketching a tram so a photo will have to suffice.

Saturday, 30 July 2016

255. Manchester Art and Jazz - Alongside the Canal and Yummy Food

Pilot G-Tec C4 pen in
re-cased Seawhite sketchbook, 7.5" x 7.5" (x2)

We decided to take an alternative route back to the hotel and discovered the Gay Village - very colourful with lots of bunting and lively people.

Later, we saw the Lauren Kinsella Ensemble - really thoughtful lyrics, beautifully sung against lovely music.

We went for quite a long walk afterwards and then sought out a vegetarian/vegan restaurant. Apparently there is an 1847 restaurant in Brighton too - will definitely be checking that out! Highly recommended! 

254. Manchester Art and Jazz - Nino De Elche

Pilot G-Tec C4 pen in
re-cased Seawhite sketchbook, 7.5" x 7.5" (x2)

This was not an 'urban' sketch because I only wrote the script above while we were out. The lead musician just poured out his soul and I felt it inappropriate to sketch while he was giving such a poignant performance. I just took a sneaky photo and drew from it on my return.

This gentleman spoke only in Spanish but I was able to understand a lot of it from my little knowledge of Italian. He, too, read some poetry but mostly sang, cried, gasped, etc., throughout the concert. 

The guitarist created amazing sounds by attaching little portable fans to the guitar and varied the effects by switching them on and off and changing the speeds. Molto interessante!

253. Manchester Art and Jazz - Thankful and Pear

Pilot G-Tec C4 pen and Neocolour II wax pastels in
a re-cased Seawhite sketchbook, 7.5" x 7.5" (x2)

Love pears and these didn't disappoint. A juicy pear each morning followed by a couple of jazz concerts - great menu!

Friday, 29 July 2016

252. Manchester Art and Jazz - Turtle Bay Caribbean Food

Faber-Castell 0.7Grip Plus in
re-cased Seawhite sketchbook, 7.5" x 7.5"

Oh my goodness! Oh my goodness! Oh my goodness! I had Vegetarian 'Rundown' which was absolutely yum! I sketched the salt and sauce bottle while we waited for our meal.

I'm so glad I popped to the loo as the whole of the upstairs area was decked out to look like Jamaica and the loos were a tribute to Bob Marley.  It totally put me in the mood for my upcoming trip to Jamaica in mid-August.




251. Manchester Art and Jazz - Alabaster Deplume

Pilot G-Tec C4 pen in
re-cased Seawhite sketchbook, 7.5" x 7.5" (x2)

OK, now this was different! Gus (in the middle) offered up very interesting poetry as well as playing the saxophone. Paddy (on the right) had various percussive instruments all of which he used.

250. Manchester Art and Jazz - James Beckwith Trio

Pilot G-Tec C4 pen in
re-cased Seawhite sketchbook, 7.5" x 7.5" (x2)

Another great set and it was evident that these guys were good friends as they seemed to get on really well with each other. I was taken up with getting the piano right and also the Manchester Jazz Festival logo so didn't get around to the other two musicians.

Thursday, 28 July 2016

249. Manchester Art and Jazz - At the Peveril of the Peak Pub

Pilot G-Tec C4 pen in
re-cased Seawhite sketchbook, 7.5" x 7.5" (x2)

I shouldn't laugh really but the guys on the left were so drunk! The one facing us was an older gentleman in a very snazzy suit who 'danced'(!) and sang very loudly to all the songs - yep, he knew all the lyrics - all night long! The two young guys were at the bar just long enough to buy their drinks.

Everyone was sketching everything!

248. Manchester Art and Jazz - Sketching Outside the Pub

Pilot G-Tec C4 pen in
re-cased Seawhite sketchbook, 7.5" x 7.5"

It was a pleasure to run into James ("Jim") Richards outside the Peveril in the Peak Pub - one of the two pubs where the sketchers met up in the evenings.

I have his Craftsy video and watch it frequently; it is well worth a look as his sketches and paintings are so cheerful as well as skilfully executed and he's a very good and popular tutor. My husband enjoyed chatting to him about New Orleans jazz and blues because that's the reason he came with me to Manchester! 

247. Manchester Art and Jazz - Peter Edwards Trio

Pilot G-Tec C4 pen in
re-cased Seawhite sketchbook, 7.5" x 7.5" (x2)

This was the first concert we attended - the guys were great so we bought their CD. You can see the 'set' down the left hand side. Afterwards, the Peter (at the piano) asked if he could photograph my sketch and he also signed it - great!

246. Manchester Art and Jazz - Real Pizza

Pilot G-Tec C4 pen in
re-cased Seawhite sketchbook, 7.5" x 7.5"
 
Well, excitement on top of excitement - we went to Manchester because the annual Urban Sketchers' Symposium was being held there at the Manchester School of Art. In addition, the Jazz Festival was on at the same time, together with the Beer Festival. This meant that Manchester was buzzing and around every corner at various times of the day, there were sketchers, music lovers and beer drinkers - sometimes all three were combined!

We were amongst the many that did not have a Symposium ticket but went along (so glad I did) as there were several sketch crawls and so much to sketch in the city centre.

This is the first of a few sketches I did - mostly at the jazz concerts - it is unfinished because we wanted a front seat at the concert where I could sketch the musicians and their instruments with a clear view.