Schmincke and Unison Soft Pastels plus Charcoal
on Clairefontaine Pastelmat paper
The Pastel Society had their annual Art Evening at the Mall Galleries this week and, almost at the last minute, I ordered a ticket and went along - last year, they had a classical guitarist but I spent the evening drawing Kimono instead. (See post 121 or click the 'Kimono' label.)
This year, the musician was a frantic (but oh my goodness, so skilled) violinist and there was another beautiful Kimono lady (lying down) plus, out back, a life model. I chose the violinist for two reasons: her gorgeous ultramarine blue, linen dress and the fact that she was moving all over the place. Even when she sat down, she didn't sit still! A couple of people told me they found this difficult, of course but to me it was an amusing challenge.
Something occurred to me on the way home: whenever in the past I've attended such events, I've sat an drawn (or painted) one or two pieces of art and returned another day to view the exhibition. This year, in the three hours, I did four sketches (three figure and one still life) then walked round and viewed the whole exhibition before going home. This is surely thanks to sketchcrawling with Urban Sketchers. On a sketch crawl, especially the London ones, there are people flying back and forth in front of us and so much to capture that we are forced to work rapidly. Add into the mix the fact that at 1:30pm and again at 4:00pm, we reconnect and photograph our artwork so there is a constant subliminal countdown to finish something and appear with your artwork in the group photo! However, sketchcrawls are so much fun that we are not stressed! What this amounts to is that, personally, I've become quicker and more decisive - who knew?!
So, thank you 'Urban Sketchers London' and 'Drawing Outside Northampton' - your training has been and continues to be priceless!
Schmincke and Unison Soft Pastels plus Charcoal
on Clairefontaine Pastelmat paper
Our model (Anna, I think) took a break and sat down before walking around looking at everyone's sketches. Even as she sat, she was wriggling about so much that it was a job to even capture the violin. Had I thought of it, I'd have sketched it on both sides of her, rather than waiting for her to revert to one of her many positions. She was fantastic, playing Vivaldi's Four Seasons, amongst other lively pieces, for three hours straight minus two five minute breaks - an amazing young woman!
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